Updated world and files for release.
This commit is contained in:
Rumble
@@ -46,10 +46,6 @@ D0
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~
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#3
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@@ -567,18 +563,53 @@ D2
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~
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0 0 33
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E
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Catcher Rye~
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The mark of the immature man is that he wants to die nobly for a cause,
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while the mark of the mature man is that he wants to live humbly for one.
|
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--Wilhelm Stekel
|
||||
...you'll find that you're not the first person who was ever confused and
|
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frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
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july4~
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On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
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builder~
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|
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There is one timeless way of building.
|
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|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
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--The Timeless Way of Building
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~
|
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E
|
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war~
|
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War is an ugly thing, but not the ugliest of things. The decayed and
|
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degraded state of moral and patriotic feeling which thinks that nothing is
|
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worth war is much worse. The person who has nothing for which he is willing to
|
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fight, nothing which is more important than his own personal safety, is a
|
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miserable creature and has no chance of being free unless made and kept so by
|
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the exertions of better men than himself.
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John Stuart Mill
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~
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E
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old glory flag~
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@@ -611,53 +642,18 @@ or daughter-I am proud. My name is Old Glory-long may I wave. Dear God, long
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may I wave.
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~
|
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E
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
John Stuart Mill
|
||||
~
|
||||
E
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
~
|
||||
S
|
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#34
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@@ -879,14 +875,14 @@ D2
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~
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0 0 98
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E
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sky winds~
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Cold winds plunge ceaselessly at you from the dark, cloudless sky.
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~
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E
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floor~
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The stone floor is the same shade of grey as the sky and is completely plain
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and unscratched. It is probably too hard for anything to leave as much as a
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scratch on it.
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~
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E
|
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sky winds~
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Cold winds plunge ceaselessly at you from the dark, cloudless sky.
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~
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S
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$~
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@@ -92,19 +92,19 @@ D5
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~
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0 0 100
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E
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statue~
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As you examine the statues more closely you realize they must resemble the
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two gods responsible for the creation and ongoing protection of Sanctus, Ferret
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and Rumble. They both radiate a strength and power that resembles the solid
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white marble they were crafted from.
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~
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E
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altar~
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The altar is made from black granite and has been carved into a small basin
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with a high back. Almost as if it was meant to be some sort of seat.
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Inscriptions in some foreign tongue are written on every square inch of the
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altar. You wonder what they must say and who could have written it.
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~
|
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E
|
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statue~
|
||||
As you examine the statues more closely you realize they must resemble the
|
||||
two gods responsible for the creation and ongoing protection of Sanctus, Ferret
|
||||
and Rumble. They both radiate a strength and power that resembles the solid
|
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white marble they were crafted from.
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~
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S
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T 158
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T 163
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@@ -240,17 +240,17 @@ D5
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~
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0 0 142
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E
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table~
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The table is made out of cherry. It is worn from years of use. The glass
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top allows for an excellent view of the map protected within.
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~
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E
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map~
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The map is a geographic representation of Sanctus. Not even really a map,
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more of a scaled model. The walls and buildings of the city are raised higher
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than the rest of the map to give it a third dimension. Small soldiers are
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scattered around the top of the table to help the War Master place his men.
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~
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E
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table~
|
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The table is made out of cherry. It is worn from years of use. The glass
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top allows for an excellent view of the map protected within.
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~
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S
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#109
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Thieves Retreat~
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@@ -383,18 +383,18 @@ D1
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~
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0 0 100
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E
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hole~
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You can look out over the inner wall to the western side of Sanctus. The
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smell of charred human remains and smoldering plaster makes your eyes water so
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it is difficult to see much else through the tiny hole.
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~
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E
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man silhouette~
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The distinct outline of a human body that must have taken the brunt of the
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blast when the portal imploded. You wonder what or who it might have been.
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You can still see pieces of cloth and bone buried deeply into the wall inside
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the shadow of the unlucky man.
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~
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E
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hole~
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You can look out over the inner wall to the western side of Sanctus. The
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smell of charred human remains and smoldering plaster makes your eyes water so
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it is difficult to see much else through the tiny hole.
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~
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S
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#117
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Travelling Room~
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@@ -530,19 +530,19 @@ D2
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~
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0 0 129
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E
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table desk chair~
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The table, desk, and chair are made from solid oak of the highest quality.
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A thin goose down mattress and pillow are the only comfortable looking items in
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the room. The desk is bare and all the drawers are empty. It is as if no one
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even lives here.
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~
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E
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shrine~
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A beutiful shrine. It has two white marble figures facing each other with a
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painting of the city below them. The two figures seem to be looking down at
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the city with looks of worry and hopelessness. An unlit candle and mirror lay
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on the floor beside the small shrine.
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~
|
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E
|
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table desk chair~
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The table, desk, and chair are made from solid oak of the highest quality.
|
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A thin goose down mattress and pillow are the only comfortable looking items in
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the room. The desk is bare and all the drawers are empty. It is as if no one
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even lives here.
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~
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S
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#125
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Plane of the Magi~
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@@ -791,7 +791,7 @@ S
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#134
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Orb of Sanctum~
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It is here that the Orb has been placed to ensure its protection. The
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entire room is a made of black stone that seems to absorb all light. A huge
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entire room is made of black stone that seems to absorb all light. A huge
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pedestal sits in the center of the room surrounded by statues of every Magi to
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ever live. It is up to them to protect the Orb from any who wish to steal or
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cause harm to it.
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@@ -816,14 +816,10 @@ D0
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~
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0 0 128
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E
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window~
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Overlooking the western gate you can see the shimmering protective dome.
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You hope it lasts, peace and tranquility is a good thing.
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~
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E
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chair~
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It's just your standard wooden chair. Uncomfortable and only real
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usefulness would be as firewood.
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bed~
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The bed is made of a sturdy pine. A thin mattress covered in a white sheet
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with a down pillow overlaying it. The mattress is too thin to hold anything of
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value.
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~
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E
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desk~
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@@ -833,10 +829,14 @@ centered on the top of the desk. The desk has three drawers. All of them are
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empty.
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~
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E
|
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bed~
|
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The bed is made of a sturdy pine. A thin mattress covered in a white sheet
|
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with a down pillow overlaying it. The mattress is too thin to hold anything of
|
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value.
|
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chair~
|
||||
It's just your standard wooden chair. Uncomfortable and only real
|
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usefulness would be as firewood.
|
||||
~
|
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E
|
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window~
|
||||
Overlooking the western gate you can see the shimmering protective dome.
|
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You hope it lasts, peace and tranquility is a good thing.
|
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~
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S
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#136
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@@ -1,5 +1,5 @@
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#21100
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Parna's Zone Description Room~
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Parna's Tarot Zone Description Room~
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This area is trying to recreate the Tarot zone I built for Smaug. The
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purpose is to have a way of Tarot fortune-telling online. It has been repeated
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twice to allow different people to have their futures told at the same time.
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@@ -162,7 +162,7 @@ The door is closed and can't be opened.
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D4
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~
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door stairs up~
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1 0 21111
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2 0 21111
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E
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plaque~
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Sibyl uses the Rider-Waite tarot deck in the Keltic Cross layout. If you
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@@ -180,7 +180,7 @@ atmosphere that surrounds it.
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D4
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~
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~
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0 0 21112
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1 0 21112
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S
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T 21102
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#21112
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@@ -189,10 +189,14 @@ This card crosses~
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forces opposing the question or a different choice that may be available.
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~
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211 220 0 0 0 0
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D0
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D2
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~
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1 0 21113
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D5
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~
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door backdoor~
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@@ -212,7 +216,7 @@ door backdoor~
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D3
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~
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~
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0 0 21121
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1 0 21121
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S
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T 21102
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#21114
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@@ -260,7 +264,7 @@ door backdoor~
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D2
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~
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~
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1 0 21124
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T 21102
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#21117
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@@ -273,7 +277,7 @@ the fears the questioner has about the question.
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D0
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~
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~
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0 0 21118
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1 0 21118
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D3
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~
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door backdoor~
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@@ -289,7 +293,7 @@ close to the questioner, regarding the question.
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D0
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~
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~
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0 0 21119
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1 0 21119
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D2
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~
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door backdoor~
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@@ -305,7 +309,7 @@ hopes from the question.
|
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D0
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~
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~
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0 0 21120
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1 0 21120
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D2
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~
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door backdoor~
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@@ -344,7 +348,7 @@ South-West Corner~
|
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D0
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~
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~
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0 0 21114
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1 0 21114
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D1
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~
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door backdoor~
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@@ -358,7 +362,7 @@ North-West Corner~
|
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D1
|
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~
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~
|
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0 0 21115
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1 0 21115
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D2
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~
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door backdoor~
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@@ -372,7 +376,7 @@ North-East Corner~
|
||||
D2
|
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~
|
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door~
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0 0 21116
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1 0 21116
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D3
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~
|
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door backdoor~
|
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@@ -390,7 +394,7 @@ door backdoor~
|
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D1
|
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~
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~
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0 0 21117
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1 0 21117
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S
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#21125
|
||||
Sibyl's Private Room~
|
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@@ -417,7 +421,7 @@ The door is closed and can't be opened.
|
||||
D4
|
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~
|
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door~
|
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1 0 21131
|
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2 0 21131
|
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E
|
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plaque~
|
||||
Esmerelda uses the Rider-Waite tarot deck in the Keltic Cross layout. If you
|
||||
@@ -450,7 +454,7 @@ door~
|
||||
1 0 21133
|
||||
D5
|
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~
|
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door~
|
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door backdoor~
|
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1 0 21131
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S
|
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T 21102
|
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@@ -462,7 +466,7 @@ question, things in the past which were leading to the question.
|
||||
211 220 0 0 0 0
|
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D0
|
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~
|
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door~
|
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door backdoor~
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1 0 21132
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D3
|
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~
|
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@@ -482,7 +486,7 @@ door~
|
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1 0 21142
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D2
|
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~
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door~
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door backdoor~
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1 0 21141
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S
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T 21102
|
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@@ -498,7 +502,7 @@ door~
|
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1 0 21143
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D3
|
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~
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door~
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door backdoor~
|
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1 0 21142
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S
|
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T 21102
|
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@@ -510,7 +514,7 @@ influence or possibility. It may show a different pathway available.
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211 220 0 0 0 0
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D0
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~
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door~
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door backdoor~
|
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1 0 21143
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D2
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~
|
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@@ -527,11 +531,15 @@ the fears the questioner has about the question.
|
||||
211 220 0 0 0 0
|
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D0
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~
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door~
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~
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1 0 21138
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D1
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~
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~
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0 0 -1
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D3
|
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~
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door~
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door backdoor~
|
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1 0 21144
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S
|
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T 21102
|
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@@ -543,11 +551,11 @@ close to the questioner, regarding the question.
|
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211 220 0 0 0 0
|
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D0
|
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~
|
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door~
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~
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1 0 21139
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D2
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21137
|
||||
S
|
||||
T 21102
|
||||
@@ -563,7 +571,7 @@ door~
|
||||
1 0 21140
|
||||
D2
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21138
|
||||
S
|
||||
T 21102
|
||||
@@ -578,7 +586,7 @@ down, all cards will be cleared.
|
||||
211 220 0 0 0 0
|
||||
D2
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21139
|
||||
D5
|
||||
~
|
||||
@@ -598,7 +606,7 @@ D0
|
||||
1 0 21134
|
||||
D1
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21133
|
||||
S
|
||||
#21142
|
||||
@@ -612,7 +620,7 @@ D1
|
||||
1 0 21135
|
||||
D2
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21134
|
||||
S
|
||||
#21143
|
||||
@@ -626,7 +634,7 @@ D2
|
||||
1 0 21136
|
||||
D3
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21135
|
||||
S
|
||||
#21144
|
||||
@@ -636,7 +644,7 @@ South-East Corner~
|
||||
211 8 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21136
|
||||
D1
|
||||
~
|
||||
@@ -668,7 +676,7 @@ The door is closed and can't be opened.
|
||||
D4
|
||||
~
|
||||
door~
|
||||
1 0 21151
|
||||
2 0 21151
|
||||
E
|
||||
plaque~
|
||||
Jaelle uses the Rider-Waite tarot deck in the Keltic Cross layout. If you
|
||||
@@ -701,7 +709,7 @@ door~
|
||||
1 0 21153
|
||||
D5
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21151
|
||||
S
|
||||
T 21102
|
||||
@@ -713,7 +721,7 @@ question, things in the past which were leading to the question.
|
||||
211 220 0 0 0 0
|
||||
D0
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21152
|
||||
D3
|
||||
~
|
||||
@@ -733,7 +741,7 @@ door~
|
||||
1 0 21162
|
||||
D2
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21161
|
||||
S
|
||||
T 21102
|
||||
@@ -749,7 +757,7 @@ door~
|
||||
1 0 21163
|
||||
D3
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21162
|
||||
S
|
||||
T 21102
|
||||
@@ -761,7 +769,7 @@ influence or possibility. It may show a different pathway available.
|
||||
211 220 0 0 0 0
|
||||
D0
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21163
|
||||
D2
|
||||
~
|
||||
@@ -782,7 +790,7 @@ door~
|
||||
1 0 21158
|
||||
D3
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21164
|
||||
S
|
||||
T 21102
|
||||
@@ -798,7 +806,7 @@ door~
|
||||
1 0 21159
|
||||
D2
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21157
|
||||
S
|
||||
T 21102
|
||||
@@ -814,7 +822,7 @@ door~
|
||||
1 0 21160
|
||||
D2
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21158
|
||||
S
|
||||
T 21102
|
||||
@@ -829,7 +837,7 @@ down, all cards will be cleared.
|
||||
211 220 0 0 0 0
|
||||
D2
|
||||
~
|
||||
door~
|
||||
door backdoor~
|
||||
1 0 21159
|
||||
D5
|
||||
~
|
||||
@@ -849,7 +857,7 @@ D0
|
||||
1 0 21154
|
||||
D1
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21153
|
||||
S
|
||||
#21162
|
||||
@@ -863,7 +871,7 @@ D1
|
||||
1 0 21155
|
||||
D2
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21154
|
||||
S
|
||||
#21163
|
||||
@@ -877,7 +885,7 @@ D2
|
||||
1 0 21156
|
||||
D3
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21155
|
||||
S
|
||||
#21164
|
||||
@@ -887,7 +895,7 @@ South-East Corner~
|
||||
211 8 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
door backdoor~
|
||||
1 0 21156
|
||||
D1
|
||||
~
|
||||
|
||||
@@ -1315,7 +1315,7 @@ building with bales of hay stacked everywhere. The horses can't reach the hay
|
||||
though they all seem to still try. It is possible to buy a horse for a minimal
|
||||
fee, but not all of them are well tamed and have been known to become ornery.
|
||||
~
|
||||
3 0 0 0 0 0
|
||||
3 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -1370,17 +1370,17 @@ and well kept. A single door leads down to the shop below.
|
||||
D5
|
||||
~
|
||||
door~
|
||||
1 0 225
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
2 0 225
|
||||
E
|
||||
floor~
|
||||
The stone floor is the same shade of grey as the sky and is completely plain
|
||||
and unscratched. It is probably too hard for anything to leave as much as a
|
||||
scratch on it.
|
||||
~
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
S
|
||||
#399
|
||||
Welcome to the Builder Academy~
|
||||
|
||||
@@ -85,8 +85,8 @@ marble~
|
||||
S
|
||||
#30404
|
||||
The Temple~
|
||||
The echo of you footsteps reverberates through the temple. Everything is
|
||||
white, the tiled floor, the walls, the ceiling.....
|
||||
The echo of your footsteps reverberates through the temple. Everything is
|
||||
white, the tiled floor, the walls, the ceiling.....
|
||||
~
|
||||
304 8 0 0 0 0
|
||||
D0
|
||||
@@ -124,7 +124,7 @@ S
|
||||
#30406
|
||||
The Temple~
|
||||
The echo of your footsteps reverberates through the temple. Everything is
|
||||
white, the tiled floor, the walls, the ceiling.....
|
||||
white, the tiled floor, the walls, the ceiling.....
|
||||
~
|
||||
304 8 0 0 0 0
|
||||
D0
|
||||
@@ -183,13 +183,13 @@ You see a room in the temple.
|
||||
~
|
||||
0 0 30407
|
||||
E
|
||||
plants~
|
||||
They seem to be doing very well, someone around here has a green thumb.
|
||||
~
|
||||
E
|
||||
brook~
|
||||
What a nice little bubbling brook!
|
||||
~
|
||||
E
|
||||
plants~
|
||||
They seem to be doing very well, someone around here has a green thumb.
|
||||
~
|
||||
S
|
||||
#30409
|
||||
The Temple~
|
||||
@@ -216,7 +216,7 @@ S
|
||||
#30410
|
||||
The Stairwell~
|
||||
There is a beautiful curving stairwell leading upwards. It seems to have
|
||||
been carved directly from stone.
|
||||
been carved directly from stone.
|
||||
~
|
||||
304 8 0 0 0 0
|
||||
D2
|
||||
@@ -293,13 +293,13 @@ You see the bottom of the stairs.
|
||||
~
|
||||
0 0 30410
|
||||
E
|
||||
fur~
|
||||
The fur is brown, short, and coarse.
|
||||
~
|
||||
E
|
||||
mural~
|
||||
The mural shows a great shaggy beast with two pointed horns.
|
||||
~
|
||||
E
|
||||
fur~
|
||||
The fur is brown, short, and coarse.
|
||||
~
|
||||
S
|
||||
#30414
|
||||
Mateon's Chamber~
|
||||
@@ -357,13 +357,13 @@ Woah..looks like a dead end. You get the chills.
|
||||
~
|
||||
0 0 30419
|
||||
E
|
||||
window~
|
||||
The window overlooks a grassy field.
|
||||
~
|
||||
E
|
||||
balcony~
|
||||
Its a simple piece of polished wood. You can see the gardens below.
|
||||
~
|
||||
E
|
||||
window~
|
||||
The window overlooks a grassy field.
|
||||
~
|
||||
S
|
||||
#30417
|
||||
Aten's Chamber~
|
||||
@@ -392,13 +392,13 @@ Can't really see much..its rather dark over there.
|
||||
~
|
||||
0 0 30421
|
||||
E
|
||||
balcony~
|
||||
Its a simple piece of polished wood. You can see the gardens below.
|
||||
~
|
||||
E
|
||||
window~
|
||||
The window looks down upon a grassy field.
|
||||
~
|
||||
E
|
||||
balcony~
|
||||
Its a simple piece of polished wood. You can see the gardens below.
|
||||
~
|
||||
S
|
||||
#30419
|
||||
The Cul-de-Sac~
|
||||
@@ -431,13 +431,13 @@ You see the balcony over there.
|
||||
~
|
||||
0 0 30422
|
||||
E
|
||||
window~
|
||||
Its a great, big walk-through window.
|
||||
~
|
||||
E
|
||||
shelves~
|
||||
The shelves have been swept clean.
|
||||
~
|
||||
E
|
||||
window~
|
||||
Its a great, big walk-through window.
|
||||
~
|
||||
S
|
||||
#30421
|
||||
The Dark Chamber~
|
||||
|
||||
@@ -434,14 +434,14 @@ D4
|
||||
~
|
||||
0 0 5724
|
||||
E
|
||||
bones~
|
||||
These bones are mostly crushed and powdered but most of them look human...
|
||||
~
|
||||
E
|
||||
tracks~
|
||||
These tracks are insect like and very large. Whatever made these must be
|
||||
huge.
|
||||
~
|
||||
E
|
||||
bones~
|
||||
These bones are mostly crushed and powdered but most of them look human...
|
||||
~
|
||||
S
|
||||
#5724
|
||||
Capricorns' Hill~
|
||||
@@ -513,13 +513,13 @@ The sap is dribbling down the trunk forming a pool at the base of the tree.
|
||||
~
|
||||
0 0 5731
|
||||
E
|
||||
ladder~
|
||||
Sap oozes down this ladder forming a sticky covering.
|
||||
~
|
||||
E
|
||||
eyes~
|
||||
The eyes are small and beady, they look evil.
|
||||
~
|
||||
E
|
||||
ladder~
|
||||
Sap oozes down this ladder forming a sticky covering.
|
||||
~
|
||||
S
|
||||
#5728
|
||||
The Cave~
|
||||
@@ -636,7 +636,7 @@ At the top of the tree~
|
||||
A pool of blood is slowly forming in a hollow to the right and the stench of
|
||||
death is thick in the air. This place appears to be the home of a Tree Nymph.
|
||||
It is plain to see that the owner of this place was a female because of all the
|
||||
photos of male Nymphs on one of the branches that obviously serves as a
|
||||
portraits of male Nymphs on one of the branches that obviously serves as a
|
||||
mantlepiece.
|
||||
~
|
||||
57 128 0 0 0 0
|
||||
@@ -645,11 +645,11 @@ D5
|
||||
~
|
||||
0 0 5733
|
||||
E
|
||||
pool~
|
||||
blood~
|
||||
A pool of bluey gray blood has collected in the corner.
|
||||
~
|
||||
E
|
||||
blood~
|
||||
pool~
|
||||
A pool of bluey gray blood has collected in the corner.
|
||||
~
|
||||
S
|
||||
|
||||
@@ -11,31 +11,6 @@ D3
|
||||
~
|
||||
0 0 65398
|
||||
E
|
||||
map~
|
||||
Map
|
||||
|
||||
c 01 02 03 n
|
||||
| | |
|
||||
| | |
|
||||
| | |
|
||||
c15 n----- wH n----- wH n----- wH n---- c04 n
|
||||
| | |
|
||||
| | |
|
||||
| | |
|
||||
c13 n----- wH n- c14 yE c06 n- wH n---- c05 n
|
||||
| |
|
||||
| c10 n |
|
||||
| | |
|
||||
c12 n----- wH n----- wH n----- wH n---- c07 n
|
||||
| | |
|
||||
| | |
|
||||
| | |
|
||||
c 11 09 08 n
|
||||
yElevator n
|
||||
wHalls n
|
||||
cApartments n
|
||||
~
|
||||
E
|
||||
Plan~
|
||||
Plan
|
||||
|
||||
@@ -82,6 +57,31 @@ Plan~
|
||||
wHalls: 05-36 n
|
||||
cApartments: 37-96 n
|
||||
~
|
||||
E
|
||||
map~
|
||||
Map
|
||||
|
||||
c 01 02 03 n
|
||||
| | |
|
||||
| | |
|
||||
| | |
|
||||
c15 n----- wH n----- wH n----- wH n---- c04 n
|
||||
| | |
|
||||
| | |
|
||||
| | |
|
||||
c13 n----- wH n- c14 yE c06 n- wH n---- c05 n
|
||||
| |
|
||||
| c10 n |
|
||||
| | |
|
||||
c12 n----- wH n----- wH n----- wH n---- c07 n
|
||||
| | |
|
||||
| | |
|
||||
| | |
|
||||
c 11 09 08 n
|
||||
yElevator n
|
||||
wHalls n
|
||||
cApartments n
|
||||
~
|
||||
S
|
||||
#65301
|
||||
The Elevator~
|
||||
@@ -235,6 +235,7 @@ D3
|
||||
0 0 65305
|
||||
S
|
||||
T 65302
|
||||
T 65302
|
||||
#65307
|
||||
First Floor North-East Corner~
|
||||
The hall runs to the south and west. The door to room 103 is north and the
|
||||
@@ -421,6 +422,7 @@ D3
|
||||
0 0 65313
|
||||
S
|
||||
T 65302
|
||||
T 65302
|
||||
#65315
|
||||
Second Floor North-East Corner~
|
||||
The hall runs to the south and west. The door to room 203 is north and the
|
||||
@@ -600,13 +602,14 @@ D1
|
||||
D2
|
||||
~
|
||||
elevator~
|
||||
1 0 65399
|
||||
2 0 65399
|
||||
D3
|
||||
~
|
||||
~
|
||||
0 0 65321
|
||||
S
|
||||
T 65302
|
||||
T 65302
|
||||
#65323
|
||||
Third Floor North-East Corner~
|
||||
The hall runs to the south and west. The door to room 303 is north and the
|
||||
@@ -786,7 +789,7 @@ D1
|
||||
D2
|
||||
~
|
||||
elevator~
|
||||
2 0 65399
|
||||
1 0 65399
|
||||
D3
|
||||
~
|
||||
~
|
||||
@@ -797,6 +800,7 @@ D4
|
||||
4 0 65399
|
||||
S
|
||||
T 65302
|
||||
T 65302
|
||||
#65331
|
||||
Fourth Floor North-East Corner~
|
||||
The hall runs to the south and west. The door to room 403 is north and the
|
||||
@@ -2293,6 +2297,7 @@ elevator~
|
||||
2 0 65399
|
||||
S
|
||||
T 65302
|
||||
T 65302
|
||||
#65399
|
||||
Inside the Elevator~
|
||||
It's your run-of-the-mill, everyday, totally normal looking, elevator. The
|
||||
@@ -2310,7 +2315,8 @@ PUSH G
|
||||
D0
|
||||
~
|
||||
~
|
||||
1 0 65322
|
||||
1 0 65330
|
||||
S
|
||||
T 65302
|
||||
T 65302
|
||||
$~
|
||||
|
||||
Reference in New Issue
Block a user