128 bits! --Rumble
This commit is contained in:
@@ -3,7 +3,7 @@ The Void~
|
||||
You don't think that you are not floating in nothing. You can see
|
||||
a strange portal located above you.
|
||||
~
|
||||
0 d 1
|
||||
0 8 0 0 0 0
|
||||
D4
|
||||
~
|
||||
~
|
||||
@@ -16,7 +16,7 @@ Limbo~
|
||||
matter, surrounded by swirling glowing light, which fades into the relative
|
||||
darkness around you without any trace of edges or shadow.
|
||||
~
|
||||
0 d 1
|
||||
0 8 0 0 0 0
|
||||
D5
|
||||
A strange portal in the floor is the only exit.
|
||||
~
|
||||
@@ -44,7 +44,7 @@ patience, and the ability to take constructive criticism.
|
||||
and they will advance you to begin your training.
|
||||
|
||||
~
|
||||
0 de 0
|
||||
0 24 0 0 0 0
|
||||
S
|
||||
#3
|
||||
The Builder Academy~
|
||||
@@ -57,7 +57,7 @@ can be further explored by typing @RCAPITAL LETTERS@n and hitting return.
|
||||
|
||||
Test this out, @RHELP DISCLAIMER@n.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -73,7 +73,7 @@ the east. TBA is constantly striving to improve upon the training process so
|
||||
please use the typo and idea commands liberally. For example: idea you need
|
||||
more cow bell in the zone. Typo in help telnet teh = the.
|
||||
~
|
||||
0 de 0
|
||||
0 24 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
@@ -100,7 +100,7 @@ HELP REPORT
|
||||
HELP LEVEL
|
||||
HELP ADVERTISING@n
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -131,7 +131,7 @@ HELP PREREQUISITE
|
||||
HELP BALANCE
|
||||
HELP BREATHE@n
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -164,7 +164,7 @@ HELP D-DESC
|
||||
HELP MEDIT-L-DESC
|
||||
HELP TEXT-EDITOR@n
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -191,7 +191,7 @@ Notice how each important line has an associated help topic. To learn more
|
||||
about it just see the appropriate help file. If this is your first experience
|
||||
with redit read ALL the help files. @RHELP STYLISTICS@n
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -220,7 +220,7 @@ Notice how each important line has an associated help topic. To learn more
|
||||
about it just see the appropriate help file. If this is your first experience
|
||||
with oedit read ALL the help files.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -245,7 +245,7 @@ killing. Medit can be used by typing "medit <VNUM>".
|
||||
Type @RHELP MEDIT-MENU@n That is an example of the medit menu you will see
|
||||
when you edit a mobile. Each line has its own help topic you should also read.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -278,7 +278,7 @@ time a zone is reset, the server executes all the commands in order from
|
||||
beginning to end. All zones are reset when the server first boots, and
|
||||
periodically reset again while the game is running.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -302,7 +302,7 @@ you will see when you edit a shop. Notice how each important line has an
|
||||
associated help topic. To learn more about it just see the appropriate help
|
||||
file. If this is your first experience with sedit read ALL the help files.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -325,7 +325,7 @@ Do not attempt to use trigedit until you complete your trial vnum and are
|
||||
assigned a zone. Remember you must disable @RNOHASSLE@n. Triggers will not work
|
||||
on you otherwise.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
@@ -360,7 +360,7 @@ with this zone, and the help of others, you can do this.
|
||||
@RHELP ALIGNMENT@n
|
||||
@RHELP BIAS@n
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -385,7 +385,7 @@ in the past: Please mudmail me any good links to add.
|
||||
HELP OFFLINE
|
||||
HELP HCONTROL@n
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -420,7 +420,7 @@ entries on every command!!! Do not worry too much about redit, oedit, medit,
|
||||
zedit, sedit, and trigedit. We will get to those later. Know how to use all
|
||||
the commands available to you.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
@@ -443,7 +443,7 @@ much, download the free version. You can see an in-depth list of clients under:
|
||||
@RHELP VIRTUAL-NUMBERS@n
|
||||
@RHELP TERMINOLOGY@n
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D2
|
||||
~
|
||||
~
|
||||
@@ -457,7 +457,7 @@ See: @RHELP TRIGEDIT-MOB-TUTORIAL@n
|
||||
@RSTAT QUESTMASTER@n. Notice the attached triggers. @RTSTAT 1@n.
|
||||
|
||||
~
|
||||
0 de 0
|
||||
0 24 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
@@ -475,7 +475,7 @@ S
|
||||
A Quest Room~
|
||||
In this room you may be able to finish the Mob Quest Tutorial.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D3
|
||||
~
|
||||
~
|
||||
@@ -489,7 +489,7 @@ Including triggers 4, 5, 7, 8.
|
||||
|
||||
To pay the gateguard take the pile of coins, then: @RGIVE 10 COINS GUARD@n.
|
||||
~
|
||||
0 de 0
|
||||
0 24 0 0 0 0
|
||||
D0
|
||||
The tutorial hallway continues.
|
||||
~
|
||||
@@ -510,7 +510,7 @@ player_can_breathe_water and prevent a player from entering a certain room
|
||||
unless they have this variable set. To see what variables are set on a player
|
||||
simply stat that player. @RSTAT SELF@n.
|
||||
~
|
||||
0 de 0
|
||||
0 24 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
@@ -529,7 +529,7 @@ Quest Variables Example~
|
||||
I used triggers 1409 thru 1412 to setup this example. Simply tstat each to
|
||||
see what they do.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D3
|
||||
~
|
||||
~
|
||||
@@ -546,7 +546,7 @@ for a few. @RHELP TRIG-EXAMPLES@n for some advanced ones.
|
||||
|
||||
@RGOTO 14@n to access the next hallway.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D2
|
||||
~
|
||||
~
|
||||
@@ -558,21 +558,60 @@ Rumble's Room~
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
E
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
.test~
|
||||
can you see this with look around?
|
||||
~
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
John Stuart Mill
|
||||
~
|
||||
E
|
||||
old glory flag~
|
||||
@@ -605,58 +644,19 @@ or daughter-I am proud. My name is Old Glory-long may I wave. Dear God, long
|
||||
may I wave.
|
||||
~
|
||||
E
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
|
||||
John Stuart Mill
|
||||
~
|
||||
E
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
E
|
||||
.test~
|
||||
can you see this with look around?
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
~
|
||||
S
|
||||
T 1200
|
||||
@@ -671,7 +671,7 @@ you watch the images taking shape in the turbulent liquid. Your mouth becomes
|
||||
dry as you see yourself in the watery panorama ... And time stands still for
|
||||
just one moment ... As you see your future in the depths ...
|
||||
~
|
||||
0 dj 0
|
||||
0 520 0 0 0 0
|
||||
S
|
||||
#88
|
||||
Advertising Room~
|
||||
@@ -683,7 +683,7 @@ MUD address with /f. Since TBA uses the @@ as a colorcode you must use 2 @@@@ w
|
||||
your email address. Posts may be deleted if done poorly or if the MUD is no
|
||||
longer online.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
S
|
||||
#89
|
||||
The Prison Cell Corridor~
|
||||
@@ -691,7 +691,7 @@ The Prison Cell Corridor~
|
||||
Along the Northern wall are steel doors spaced a few feet apart while the
|
||||
southern wall is of cynder block construction.
|
||||
~
|
||||
0 0 0
|
||||
0 0 0 0 0 0
|
||||
D1
|
||||
~
|
||||
~
|
||||
@@ -712,7 +712,7 @@ the shower head has been removed and cemented a drain still exists in the floor.
|
||||
Unintelligle voices can be heard whispering through the piping in the drain
|
||||
below.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D2
|
||||
~
|
||||
~
|
||||
@@ -729,7 +729,7 @@ Aristotle's Prison Cell~
|
||||
pungent waste bucket. The old shower head is still sticking out of the wall
|
||||
with a steel door opposite.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
E
|
||||
shower head cap~
|
||||
The metal shower head has a plastic variable setting cap complete with a
|
||||
@@ -745,7 +745,7 @@ Plato's Prison Cell~
|
||||
light bulb above flickers randomly as if it is about to burn out. The
|
||||
alternating bright and pitch black environment makes the eyes ache.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
S
|
||||
T 171
|
||||
T 172
|
||||
@@ -755,7 +755,7 @@ Friedrich Nietzsche's Prison Cell~
|
||||
cell. The silence is broken only by the occasional footsteps in the corridor
|
||||
outside or a fellow prisoner tapping on the cell wall.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
S
|
||||
T 171
|
||||
T 172
|
||||
@@ -765,7 +765,7 @@ Socrates' Prison Cell~
|
||||
in the plywood ceiling is out of reach. The only break in the block walls is a
|
||||
steel door that is closed and locked.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
S
|
||||
T 172
|
||||
#95
|
||||
@@ -774,7 +774,7 @@ Confucius' Prison Cell~
|
||||
and another in the floor has been cemented over. They must have once been a
|
||||
shower head and a drain before this stall was converted into a prison cell.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
S
|
||||
T 171
|
||||
T 172
|
||||
@@ -784,7 +784,7 @@ James Stockdale's Prison Cell~
|
||||
has various words and designs scratched into the dirt. The ceiling consists of
|
||||
a single sheet of unpainted plywood.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
S
|
||||
T 171
|
||||
T 172
|
||||
@@ -794,7 +794,7 @@ A Prison Cell~
|
||||
cell complete with iron shackles. A single steel door that is closed and locked
|
||||
is the only exit. The walls are constructed of unpainted cinder blocks.
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D2
|
||||
~
|
||||
lock~
|
||||
@@ -824,7 +824,7 @@ Respectfully,
|
||||
|
||||
Rumble
|
||||
~
|
||||
0 d 0
|
||||
0 8 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
@@ -840,20 +840,20 @@ TBA Cafe 99~
|
||||
a pew and have a nice drink! If you want to have a social chat or lurk in order
|
||||
to help newer builders, this is the place to be!
|
||||
~
|
||||
0 de 0
|
||||
0 24 0 0 0 0
|
||||
D2
|
||||
~
|
||||
~
|
||||
0 0 98
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
E
|
||||
floor~
|
||||
The stone floor is the same shade of grey as the sky and is completely plain
|
||||
and unscratched. It is probably too hard for anything to leave as much as a
|
||||
scratch on it.
|
||||
~
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
S
|
||||
$~
|
||||
|
||||
Reference in New Issue
Block a user