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Added Parna's zone 211 Tarot, updated help files.
This commit is contained in:
@@ -49,7 +49,7 @@ The questmaster is waiting for a brave adventurer to step forth.
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Many adventurers come here to seek glory by attempting to solve the quests
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given to them by this old man. The quests are not easy, sometimes nearly
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impossible. But they will always be a challenge. The questmaster looks at you
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and says, 'help autoquest should show you all you need to know'.
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and says, 'Help autoquest should show you all you need to know'.
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~
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@@ -99,7 +99,7 @@ John Russell seems to have lost his dog.
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John Russell maintained his strain of fox terriers bred strictly for working,
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and the terrier we know of today as the Jack Russell is much the same as the
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pre-1900's fox terrier. The Jack Russell has survived the changes that have
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occured in the modern-day Fox Terrier because it has been preserved by working
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occurred in the modern-day Fox Terrier because it has been preserved by working
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terrier enthusiasts in England for more than 100 years.
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~
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@@ -112,13 +112,13 @@ jack russell terrier~
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the Jack Russell terrier~
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A Jack Russell terrier is following a scent.
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~
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Jack Russell Terriers are a type, or strain, of working terrier they are not
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purebred in the sense that they have a broad genetic make-up, a broad standard,
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and do not breed true to type. You will see different "types" of JRTs, from
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long-bodied, short, crooked legs to a more proportioned length of body and
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longer legs. This is a result of having been bred strictly for hunting since
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their beginning in the early 1800's, and their preservation as a working breed
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since.
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Jack Russell Terriers are a type, or strain, of working terrier. They are
|
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not purebred in the sense that they have a broad genetic make-up, a broad
|
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standard, and do not breed true to type. You will see different "types" of
|
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JRTs, from long-bodied, short, crooked legs to a more proportioned length of
|
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body and longer legs. This is a result of having been bred strictly for hunting
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since their beginning in the early 1800's, and their preservation as a working
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breed since.
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~
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10 0 0 0 0 0 0 0 0 E
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34 9 -10 6d6+340 5d5+5
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@@ -146,7 +146,7 @@ sick looking dog~
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a sick looking dog~
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A sick looking dog gags on something in its mouth.
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~
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The dog is unkept and unhealthy. It does not look like it has been eating
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The dog is unkempt and unhealthy. It does not look like it has been eating
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very well.
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~
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10 0 0 0 0 0 0 0 0 E
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@@ -175,7 +175,7 @@ A strange humanoid is here. How odd, its flesh seems to be falling off!
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This strange humanoid is moving rather slowly, and appears to be a corpse, a
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walking corpse! It must be a zombie or something of the sort.
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~
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450570 0 0 0 0 0 0 0 0 E
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1 20 9 0d0+10 1d2+0
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10 100
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8 8 0
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@@ -220,7 +220,7 @@ A questmaster is waiting for a brave adventurer to step forth.
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Many adventurers come here to seek glory by attempting to solve the quests
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given to them by this old woman. The quests are not easy, sometimes nearly
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impossible. But they will always be a challenge. The questmaster looks at you
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and says, 'are you up for a challenge? '
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and says, 'Are you up for a challenge? '
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~
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253962 0 0 0 0 0 0 0 0 E
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30 10 -8 6d6+300 5d5+5
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@@ -234,7 +234,7 @@ quest mobile~
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a quest mob~
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A quest mob wanders around aimlessly waiting to be slaughtered.
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~
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This mobiles sole purpose is to be hunted down and killed.
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This mobile's sole purpose is to be hunted down and killed.
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~
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10 0 0 0 0 0 0 0 0 E
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1 20 9 0d0+10 1d2+0
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@@ -245,12 +245,12 @@ T 144
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#16
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ogre questogre~
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a quest ogre~
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A huge quest ogre has a pair of wings attached to its back as if he could fly.
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A huge quest ogre has a pair of wings attached to his back as if he could fly.
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~
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Though large and intimidating this ogre does not seem to realize that he
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would strike fear into the hearts of most mortals. Instead everything seems to
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scare it to death. It is as if he has seen the future and he knows he is going
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to die. A crude pair of small wings are attached to its back and it seems to be
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Though large and intimidating, this ogre does not seem to realize that he
|
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would strike fear into the hearts of most mortals. Instead everything seems to
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scare him to death. It is as if he has seen the future and he knows he is going
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to die. A crude pair of small wings are attached to his back and he seems to be
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trying to fly away.
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~
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253962 0 0 0 0 0 0 0 0 E
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@@ -391,7 +391,7 @@ variable questmaster master~
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the variable questmaster~
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The variable questmaster is waiting to set you.
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~
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This questmaster will save a variable to your player file to remember wether
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This questmaster will save a variable to your player file to remember whether
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or not you have done his quest. This way you can only do this quest once.
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~
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253962 0 0 0 0 0 0 0 0 E
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@@ -422,18 +422,18 @@ man james bond stockdale admiral~
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James Stockdale~
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A man beaten to the brink of his life stares up at you with powerful eyes.
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~
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James Stockdale was shotdown by anti-aircraft fire during Vietnam. He was
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held as a POW for seven years. He spent over half of this time in solitary
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confinement in leg irons. Even being incapacitated he was still able to lead
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the POW underground resistance successfully. For this he was routinely tortured
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and beaten resulting in permament disablement from a repeatedly broken leg,
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broken back, and shoulders being wrenched from their sockets. When his captors
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attempted to use him as televised propaganda he slit his scalp with a razor.
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James Stockdale was shot down by anti-aircraft fire during Vietnam. He was
|
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held as a POW for seven years. He spent over half of this time in solitary
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confinement in leg irons. Even being incapacitated he was still able to lead
|
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the POW underground resistance successfully. For this he was routinely tortured
|
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and beaten resulting in permanent disablement from a repeatedly broken leg,
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broken back, and shoulders being wrenched from their sockets. When his captors
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attempted to use him as televised propaganda, he slit his scalp with a razor.
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When they covered the cut with a hat he beat himself with a stool until his face
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was swollen beyond recognition. As a final attempt he slit his wrists rather
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than allow himself to be used or let down his fellow POW's. His captors found
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him unconscious and near death. The torture stopped after that and they no
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longer attempted to use him. He received the Medal of Honor for his actions.
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was swollen beyond recognition. As a final attempt he slit his wrists rather
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than allow himself to be used or let down his fellow POWs. His captors found
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him unconscious and near death. The torture stopped after that and they no
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longer attempted to use him. He received the Medal of Honor for his actions.
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~
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262154 0 0 0 0 0 0 0 0 E
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34 9 -10 6d6+340 5d5+5
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@@ -446,10 +446,10 @@ carl von clausewitz~
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Carl Von Clausewitz~
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Carl Von Clausewitz is hunkered down in a corner of the cell plotting an escape plan.
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~
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Carl von Clausewitz was born in Burg bei Magdeburg, Prussia in 1780.
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Clausewitz's father was an officer in the Prussian Army Carl entered the
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Carl von Clausewitz was born in Burg bei Magdeburg, Prussia, in 1780.
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Clausewitz's father was an officer in the Prussian Army. Carl entered the
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Prussian military service at the age of twelve years, eventually attaining the
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rank of Major General. He is most famous for his military treatise Vom Kriege,
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rank of Major General. He is most famous for his military treatise, Vom Kriege,
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translated into English as On War.
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~
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262154 0 0 0 0 0 0 0 0 E
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@@ -482,7 +482,7 @@ the spy for the underground~
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A spy from the underground resistance is discreetly looking for some new recruits.
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~
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The underground resistance has been blamed for most of the crime in the city
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and it has been rumoured that many new recruits often end up missing. The few
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and it has been rumored that many new recruits often end up missing. The few
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that do manage to come back are often damaged both physically and mentally.
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~
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8 0 0 0 0 0 0 0 0 E
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@@ -210,7 +210,7 @@ man~
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the man~
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A man pushes past you in a rush to get somewhere.
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~
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The man gives a little smirk as you look at him. He acknowlegdes you with a
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The man gives a little smirk as you look at him. He acknowledges you with a
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simple nod and then moves on.
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~
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2120 0 0 0 0 0 0 0 1000 E
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@@ -1250,19 +1250,19 @@ right up.
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E
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T 125
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#187
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the baker~
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baker~
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the baker~
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A baker, covered in flour, pounds relentlessly on some tough dough.
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~
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She looks very rugged. Years of baking has given her arms like a smithy.
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Very scary, especially considering she is bigger than most smithy's you've
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seen. She smiles kindly and tells you to let her know when you see something
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you'd like.
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Very scary, especially considering she is bigger than most smithies you've seen.
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She smiles kindly and tells you to let her know when you see something you'd
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like.
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~
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24586 0 0 0 0 0 0 0 0 E
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34 9 -10 6d6+340 5d5+5
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340 115600
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8 8 0
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8 8 2
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E
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T 120
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#188
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@@ -83,6 +83,7 @@
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187.mob
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200.mob
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201.mob
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211.mob
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220.mob
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232.mob
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233.mob
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@@ -247,7 +247,7 @@ sword quest war's blood~
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extends far out from the basket hilt, guarding the wielder from all attacks.
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Engraved across the blade are these words. "Seek not death. Seek not triumph.
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Seek wisdom, honor, and truth. For I wield the spirit of my wielder, and blood
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of heroes never dies. " These words are written in golden runes across the
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of heroes never dies." These words are written in golden runes across the
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polished steel of the blade. War's blood is given only to those warriors meant
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for greatness. Remember, the sword wields the spirit of its master.
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~
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@@ -271,9 +271,9 @@ shadow stealer dagger quest~
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This long, thin dagger is made of the blackest metal you have ever seen. It
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seems to devour all the light in its vicinity, making it appear as if it were a
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part of the very night. As you look at the blade and hilt, you can make out an
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inscription which travels from the point of the weapon, to its ornately engraved
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pommel. "Who so ever would let blood for love, who so ever would make war upon
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death, who so ever would give their life to love, make war with my darkness. "
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inscription which travels from the point of the weapon to its ornately engraved
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pommel. "Whosoever would let blood for love, whosoever would make war upon
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death, whosoever would give their life to love, make war with my darkness."
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Wield this fabled blade of lost love, and become one with the shadows.
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~
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A
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@@ -298,7 +298,7 @@ flame that gives it substance flickers and flares as you watch, threatening to
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break its magical wards and devour its surroundings. As you hold this weapon,
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these words are burned into your mind. "From the flash to the flame, my light
|
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shall guide the wizardry with wisdom. From the beginning to the end, there
|
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will I be; to weave the one force eternal. "
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will I be; to weave the one force eternal."
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~
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A
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4 3
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@@ -320,7 +320,7 @@ mace quest divine blessing~
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with thousands of tiny runes of all the deities that have ever been and ever
|
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will be. Written across the flanges of the head are these words, "Let faith be
|
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the beginning. Let the body be its instrument. Let divinity flow through the
|
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wielder of my force. Believe and be blessed. "
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wielder of my force. Believe and be blessed."
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~
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A
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4 3
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@@ -343,9 +343,9 @@ goodness. The bow itself is a shaft of pure silver, inscribed with sunbursts
|
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and lightning bolts. Its string is a thread of purest white light that shimmers
|
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as you look at it. No arrow is needed for this mighty weapon. Its wielder need
|
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never carry a quiver. If you listen closely, you can hear the weapon humming
|
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with its own energy. If you listen long enough you might here these words in
|
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with its own energy. If you listen long enough you might hear these words in
|
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its song. "Let light banish darkness. Let Hope banish fear. I am the herald
|
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of the end. Where I strike, only light remains. "
|
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of the end. Where I strike, only light remains."
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~
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A
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12 50
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@@ -371,7 +371,7 @@ head of the spear is a huge dragon's fang, rumored to be from the mouth of the
|
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god Balm himself. Etched in runes across the head of the spear are these words.
|
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"Find gray where only black and white were before. Seek truth where others seek
|
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good and evil. Bring justice through the scales of balance. Then may you wield
|
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the truth that is my gift. "
|
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the truth that is my gift."
|
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~
|
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A
|
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12 50
|
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@@ -398,8 +398,7 @@ No light seems to reach it, no living thing seeks its touch. Tendrils of sickly
|
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smoke rise from the blade tainting your thoughts and the very air around you.
|
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It calls you, it draws you. "Wield me, worship me, watch me take the blood of
|
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the pure. Become one with my taint. Feel the foulness fermenting your soul.
|
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Accept evil, accept the shadow. Wield me and become death. Become immortal.
|
||||
"
|
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Accept evil, accept the shadow. Wield me and become death. Become immortal."
|
||||
~
|
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A
|
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18 5
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@@ -417,15 +416,15 @@ A small cap of the faerie folk seeks the grasp of a true quickling.~
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1 1000 0 20 0
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E
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cap quickling quest~
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This small green cap is made of a fine velvet lined with silk. It's material
|
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This small green cap is made of a fine velvet lined with silk. Its material
|
||||
seems to conform to your touch, as if trying to accommodate itself to your
|
||||
grasp. Its only distinctive feature is a emerald studded silver stickpin
|
||||
jutting jauntily out of the front of the cap. A peace of silk ribbon forms a
|
||||
band around the inside of the brim. These words have been embroidered into the
|
||||
cap's material. "The world is a wonder. A wonder to wander. To wander the
|
||||
wonderful world. That is the life of a sprite. Come my brothers, for much is
|
||||
lost that we may find. Come my sisters, for many are lost that we may love.
|
||||
Happiness is a laugh away. Live and laugh and love; that is joy. "
|
||||
wonderful world. That is the life of a sprite. Come, my brothers, for much is
|
||||
lost that we may find. Come, my sisters, for many are lost that we may love.
|
||||
Happiness is a laugh away. Live and laugh and love; that is joy."
|
||||
~
|
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A
|
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14 50
|
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@@ -448,8 +447,7 @@ and blood. Crude markings cover their surface, chronicling the history of the
|
||||
trollish race in gory detail. Marked in magical runes on the inside of each
|
||||
band are these words. "Breaking bones, bringing blood, battering battle, bless
|
||||
me brothers, My eyes see red, my claws drip scarlet, and my soul is crimsoned
|
||||
with the blood of the hunt. We will triumph, for there is no cure for death.
|
||||
"
|
||||
with the blood of the hunt. We will triumph, for there is no cure for death."
|
||||
~
|
||||
A
|
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1 3
|
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@@ -470,7 +468,7 @@ star man quest~
|
||||
This beautiful gem was mined from the center of the mountain from which the
|
||||
stone of Sanctus's walls is constructed. It pulses with the glow of true magic.
|
||||
Carved by the finest craftsman, enchanted by the most powerful wielders of the
|
||||
magical arts, This stone was made for the greatest of the human race. Look into
|
||||
magical arts, this stone was made for the greatest of the human race. Look into
|
||||
its depths, and see all the souls of mortal man. It has no peer, no equal, and
|
||||
has yet to be classified by dwarven miners or gnomish scholars. The human who
|
||||
holds it holds the light of all humanity in their grasp.
|
||||
@@ -492,14 +490,14 @@ The protection of dragon-kind seeks the next hero of the wryms.~
|
||||
T 86
|
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E
|
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shield quest wyrmguard~
|
||||
Torn from Balm's breast, this scale has been shaped into a shield of
|
||||
Torn from Balm's breast, this scale has been shaped into a shield of
|
||||
unrivaled strength and beauty. Its diamond shape expands and shapes itself to
|
||||
protect any dragon who bears it, from the youngest of hatchlings, to the most
|
||||
ancient of wyrms. The shield shimmers and wavers with all the colors of the
|
||||
rainbow. In its shimmering depths can be seen all the colors of every dragon
|
||||
that has ever come to pass. Magical runes circle the shield's rim. "Come wind,
|
||||
come fire. Come Thunder come rain. My bearer need never fear. Come giants to
|
||||
dual. My roar of triumph will be the last you ever hear."
|
||||
come fire. Come Thunder, come rain. My bearer need never fear. Come giants to
|
||||
duel. My roar of triumph will be the last you ever hear."
|
||||
~
|
||||
A
|
||||
17 -10
|
||||
@@ -524,7 +522,7 @@ its making. The most hallowed dwarven priests have gifted this armor with their
|
||||
blessing. It has no peer, no equal. Inscribed on the armor's breastplate are
|
||||
these words: "To march to the clang of the hammer. To be cooled by the
|
||||
whistling wind of the whirling axe. Come foe, come fool; Break yourself on the
|
||||
rock of the dwarf. Eternal wealth awaits, and we will not be denied. "
|
||||
rock of the dwarf. Eternal wealth awaits, and we will not be denied."
|
||||
~
|
||||
A
|
||||
18 5
|
||||
@@ -545,11 +543,11 @@ scholar's guide jeweler's loop quest~
|
||||
You are looking at what could quite possibly be one of the most beautiful
|
||||
peaces of artistry ever made. This finely crafted jeweler's loop is suspended
|
||||
from a chain of golden links. The loop itself is a perfectly made combination
|
||||
of grounned glass, perfectly crafted silver, and precision gnomish workmanship.
|
||||
of ground glass, perfectly crafted silver, and precision gnomish workmanship.
|
||||
It is so simple as to be elegant. A tiny plaque hangs from the chain that
|
||||
suspends the loop. "To you who would sacrifice for life, join me. To you who
|
||||
would become a slave to wonder, hold me. To you who seek riches through
|
||||
learning, I am yours. "
|
||||
learning, I am yours."
|
||||
~
|
||||
A
|
||||
3 3
|
||||
@@ -568,11 +566,11 @@ The companions to the wanderlust sit here waiting for travel.~
|
||||
E
|
||||
boots strider quest~
|
||||
These fine boots have been made from the hides of monsters and beasts the
|
||||
world over. They are unadorned, black suede leather, with a thick soul and
|
||||
world over. They are unadorned black suede leather, with a thick sole and
|
||||
steel toe. The stitching that holds them together is so fine as to be
|
||||
invisible. As you look at them words enter your mind. "Trip over mountain.
|
||||
invisible. As you look at them, words enter your mind. "Trip over mountain.
|
||||
Stride over sea. Travel across desert. Run between the forest trees. Be bold,
|
||||
be brave. Be unfettered. Let us run the world over. You and me. "
|
||||
be brave. Be unfettered. Let us run the world over. You and me."
|
||||
~
|
||||
A
|
||||
14 50
|
||||
@@ -593,12 +591,12 @@ battleaxe dragonbane quest~
|
||||
There is no greater weapon in mortal hands. This is an instrument of death.
|
||||
The two-headed axe was meant for the hands of a giant. The shaft and hilt of
|
||||
this mighty blade are formed from a gray stone that can never be chipped or
|
||||
broken. The head of the weapon is formed from two massive pieces of obsidian
|
||||
Shaped like diamonds side by side. However this vicious object has but one
|
||||
broken. The head of the weapon is formed from two massive pieces of obsidian,
|
||||
shaped like diamonds, side by side. However this vicious object has but one
|
||||
purpose. Etched into the two heads of the axe are these words. "Slash, slice,
|
||||
swerve and swipe. Dodge, duck, down and up. I draw the blood of the week.
|
||||
swerve and swipe. Dodge, duck, down and up. I draw the blood of the weak.
|
||||
Thunder marks my strike. Lightning shines when I am drawn. I am the storm to
|
||||
end all. I am the dragonbane. "
|
||||
end all. I am the dragonbane."
|
||||
~
|
||||
A
|
||||
13 50
|
||||
@@ -609,20 +607,20 @@ A
|
||||
#36
|
||||
cloak Elven court quest~
|
||||
the cloak of the elven court~
|
||||
A heavy cloak of brown and green is hear for the next elven king.~
|
||||
A heavy cloak of brown and green is here for the next elven king.~
|
||||
~
|
||||
9 dgq 0 0 0 ack 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
4 1000 0 20 0
|
||||
E
|
||||
cloak elven court quest~
|
||||
A heavy, richly embroidered cloak of green and brown. It's color changes as
|
||||
A heavy, richly embroidered, cloak of green and brown. Its color changes as
|
||||
you move, blending in with the world around you. A simple wooden clasp holds it
|
||||
together at the neck. It would be like any other nobleman's traveling cloak
|
||||
were it not for one thing. Laced with thread so fine it almost isn't there, the
|
||||
symbol of the Elvin court is sewn over the breast of the cloak. This is the
|
||||
garment of the Elvin court. Its bearers are the pride of their race. Only 6
|
||||
heroes have ever been worthy to wear such a mark of honor.
|
||||
symbol of the Elven court is sewn over the breast of the cloak. This is the
|
||||
garment of the Elven court. Its bearers are the pride of their race. Only 6
|
||||
heroes have ever been worthy to wear such a mark of honor.
|
||||
~
|
||||
A
|
||||
2 3
|
||||
@@ -662,7 +660,7 @@ One of the lost treasures of Sanctum is here.~
|
||||
T 90
|
||||
E
|
||||
gem sanctum~
|
||||
This is one of the treasures from the hordes of the city of Sanctum.
|
||||
This is one of the treasures from the hoards of the city of Sanctum.
|
||||
~
|
||||
#39
|
||||
staff curative~
|
||||
@@ -734,7 +732,7 @@ could vanish at any turn. Looking deep into the fire that is their strength you
|
||||
see these words in yellow and red flame. "Drawn from the depths. Delivered
|
||||
from death. Directed by Divinity. I am the truth. The light. The guardian of
|
||||
hope and the future. Find comfort in my flames. Find strength in my touch.
|
||||
For with me, Lies all that is to come. "
|
||||
For with me lies all that is to come."
|
||||
~
|
||||
A
|
||||
6 3
|
||||
@@ -782,7 +780,7 @@ A comfy bed is begging you to take a nap.~
|
||||
1 1 0 0 0
|
||||
E
|
||||
comfy bed~
|
||||
This bed is beckoning you to lay down and get some much needed sleep.
|
||||
This bed is beckoning you to lie down and get some much needed sleep.
|
||||
Just "sleep bed"
|
||||
~
|
||||
#49
|
||||
@@ -1073,7 +1071,7 @@ wooden sign~
|
||||
#71
|
||||
chinese finger trap fingertrap cardboard tube~
|
||||
a chinese finger trap~
|
||||
A strange and colorful tube was left here. It is made from cardboard intricately weaved together.~
|
||||
A strange and colorful tube was left here. It is made from cardboard intricately woven together.~
|
||||
~
|
||||
11 g 0 0 0 ab 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
@@ -1081,7 +1079,7 @@ A strange and colorful tube was left here. It is made from cardboard intricately
|
||||
T 87
|
||||
E
|
||||
chinese finger trap fingertrap cardboard tube~
|
||||
It consists of at least a dozen different colors of cardboard weaved together
|
||||
It consists of at least a dozen different colors of cardboard woven together
|
||||
into a tube. The holes on each end are just about the right size to stick a
|
||||
finger in.
|
||||
~
|
||||
|
||||
@@ -257,7 +257,7 @@ sword~
|
||||
The basic sword of the Sanctus army. Nothing spectacular about it.
|
||||
~
|
||||
#122
|
||||
a grey robe~
|
||||
grey robe~
|
||||
a grey robe~
|
||||
An exquisite grey robe is rumpled in a corner.~
|
||||
~
|
||||
@@ -736,7 +736,7 @@ A list of directions to important areas within Sanctus lies here.~
|
||||
1 1 0 0 0
|
||||
E
|
||||
list directions sanctus~
|
||||
@n
|
||||
n
|
||||
recall Room - teleport Sanctus
|
||||
Newbie Zones - teleport Newbie
|
||||
Food - 1d, 3s, 1e, 1n
|
||||
@@ -933,7 +933,7 @@ T 157
|
||||
E
|
||||
ten sided dice die~
|
||||
The die has been carefully carved out of bone with black spots painted on
|
||||
each of its 10 sides accordingly. @RROLL DIE@n
|
||||
each of its 10 sides accordingly. RROLL DIE n
|
||||
~
|
||||
#174
|
||||
hairball~
|
||||
@@ -1064,6 +1064,168 @@ visible.
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
may~
|
||||
. 8888 8888888
|
||||
888888888888888888888888
|
||||
8888:::8888888888888888888888888
|
||||
8888::::::8888888888888888888888888888
|
||||
88::::::::888:::8888888888888888888888888
|
||||
88888888::::8:::::::::::88888888888888888888
|
||||
888 8::888888::::::::::::::::::88888888888 888
|
||||
88::::88888888::::m::::::::::88888888888 8
|
||||
888888888888888888:M:::::::::::8888888888888
|
||||
88888888888888888888::::::::::::M88888888888888
|
||||
8888888888888888888888:::::::::M8888888888888888
|
||||
8888888888888888888888:::::::M888888888888888888
|
||||
8888888888888888::88888::::::M88888888888888888888
|
||||
88888888888888888:::88888:::::M888888888888888 8888
|
||||
88888888888888888:::88888::::M::;o*M*o;888888888 88
|
||||
88888888888888888:::8888:::::M:::::::::::88888888 8
|
||||
88888888888888888::::88::::::M:;:::::::::::888888888
|
||||
8888888888888888888:::8::::::M::aAa::::::::M8888888888 8
|
||||
88 8888888888::88::::8::::M:::::::::::::888888888888888 8888
|
||||
88 88888888888:::8:::::::::M::::::::::;::88:88888888888888888
|
||||
8 8888888888888:::::::::::M::"@@@@@@ "::::8w8888888888888888
|
||||
88888888888:888::::::::::M:::::" a ":::::M8i888888888888888
|
||||
8888888888::::88:::::::::M88:::::::::::::M88z88888888888888888
|
||||
8888888888:::::8:::::::::M88888:::::::::MM888!888888888888888888
|
||||
888888888:::::8:::::::::M8888888MAmmmAMVMM888*88888888 88888888
|
||||
888888 M:::::::::::::::M888888888:::::::MM88888888888888 8888888
|
||||
8888 M::::::::::::::M88888888888::::::MM888888888888888 88888
|
||||
888 M:::::::::::::M8888888888888M:::::mM888888888888888 8888
|
||||
888 M::::::::::::M8888:888888888888::::m::Mm88888 888888 8888
|
||||
88 M::::::::::::8888:88888888888888888::::::Mm8 88888 888
|
||||
88 M::::::::::8888M::88888::888888888888:::::::Mm88888 88
|
||||
8 MM::::::::8888M:::8888:::::888888888888::::::::Mm8 4
|
||||
8M:::::::8888M:::::888:::::::88:::8888888::::::::Mm 2
|
||||
88MM:::::8888M:::::::88::::::::8:::::888888:::M:::::M
|
||||
~
|
||||
E
|
||||
april~
|
||||
. :AMMMMMMMMMMMMA:
|
||||
:AMMMMMMMMMHHHHHMMMMMMMMA:
|
||||
:AMHMMMMHHMHIHHIMMMHMMMMHHA:
|
||||
:AM'MMMMMMHHIHHHIMMMMMIMMHHHH:
|
||||
AM:IMMMMMHHIHIHHHIMMHHHHHHHHHH
|
||||
AMIIHMMMMMHIHHHIHHIHHHHHHHHHHHH:
|
||||
MMIHHMMMMMHHIHHHIHHHHHHHHHHHHHHH
|
||||
AMMMMMHHHHHHI;;;;;;;IHHHI;;IHHHHH
|
||||
MMMMHIIII;":AMMMMA ,[[, HH
|
||||
MMMMHII; AW"'''' :: HH
|
||||
IHHIHIII;:'' ,GFMF[ [MM[: IH
|
||||
AHHIHII;::': ";[P,[ ;; :::: IH
|
||||
IHHHIHII;;:: :[;: ;H
|
||||
AHHHHHII;;;:: : : [ : ;H
|
||||
IHHIIHI:[;;;:: ; ; ; , , IH
|
||||
IHHIIHH:[;;;: ; ;: ':"::" '; IH
|
||||
IHHIIHI:[;;: ::: ; ,,,, ' HH
|
||||
:IHHHIHHMMA;::: [;;""""""[; AMI
|
||||
;IHHHHIIHMM;: : : ;;[,,,,[; HHI
|
||||
IIHHMMHHIHHM;:: '"""' AMHI
|
||||
IIHHMMHMHHIIIM;:: AMMHI
|
||||
IHHHMMHMHMHHHIHI;:: :AMMMHI
|
||||
IHHHMMMMHMMHHHII;;;;:: :,;; MMMHHI
|
||||
IHHHMMHHHHMMHHHI;:";;;;;;" MMMIH'
|
||||
;IHHMMHMMMMHF"HHII MMMHH
|
||||
IHHMMHV;;:: HHII;: : MMHHI
|
||||
IHHMV;;::: HHII;: : : MMHI;
|
||||
IHMV;;:: : "HII;: :: MMI;
|
||||
:IHV;:: : 'HI: :: MM;
|
||||
IV;:: : : "II;: ;
|
||||
IH;;::: : ;;;I: ;
|
||||
;M;;:::: : ';;;HI: '
|
||||
MH;;:::: : ';;HI: ;
|
||||
IM;;;::: : :[; ';I"I: ;
|
||||
M;;;::: : : [;;,: ' : '
|
||||
;;:::: : ::'' : ':
|
||||
;;::: : : ': :
|
||||
:;;:: : :: ':'
|
||||
~
|
||||
E
|
||||
march~
|
||||
. ,.--..
|
||||
,::.'.. . . "VI:I:".':-.,.
|
||||
,I::. .. . 'VHMHII:.::;:.:,..
|
||||
:I:I:.. . . MHMHIHI:MHHI:I:'.:.
|
||||
A:I::. ... . .MMHHIIHIHI:IHHII:.:,
|
||||
.M:I::... .. . AMMMMMHI::IHII::II.::.
|
||||
IMA"::.:.. . .MMMMMHHII:IMHIHIA:::"'
|
||||
'MV.:.:.. . AMMMMHMHI:I:HIHHIIIA;.
|
||||
P.:.:.. . . .MMMMMMMHHIIMHHHIIHIIH.
|
||||
:..:.. . . AMMMMMMMHHI:AMIVHI:HIII:
|
||||
,:.:.. . . MMMMMMMMMH:IHHI:HHI:HIIH.
|
||||
:..:... . .MMMHP:""''':HHIH:HHH:HIII
|
||||
;.:..:.. . AMH:". ' ' ''":HII:HHH:HII:
|
||||
::..:.. . . .H:'.. . '".:VA:I:H::HI:
|
||||
;.:.:... .. A:.'... . ':HA:IHI::I:
|
||||
,::..:. . . .M::. . . ':HA:HH:II:.
|
||||
;.::... .. AML;,' . .:VHI:HI:I:;
|
||||
,:.:.:. . . .H. "PA, .:IHH:HHII::.
|
||||
,:.::... .. A:I:::";, . . ,ILIIIH:HI:I:I;
|
||||
,;:.:.:.. . . .H:TP"VB').. .,;T;,,::I:HI:I:::
|
||||
,::.:.:.. . . AI:.":IAAT:. .(':BB');V::IH:I:I;
|
||||
,::.:.:.. . . .H:. ' . . .. .":;AITP;I:IIH:I::;,
|
||||
,::.::.:. . . . A::. . ..:. . . ..:AI:IHII:I::;.
|
||||
;:.::.:.. . . AM:I:. ..:. .: . .::HIIIHIIHII::.
|
||||
,:::.:.:.. . .MM:I:.. .:, .:. .::HHIIIHIHII::'
|
||||
,::.:..:.. . . AMM:I:. . .'"-""''. ..::HIHI:HI:III:
|
||||
;:.::..:.. . . AMMM::. . ,,,, '.. '.::IMHIHIHIIHI::;
|
||||
,:::.:..:. . . MMMM:I:. ':::;;;::;' .::AMHIHIHHIHHI:"
|
||||
;::.:.:.. . . .:VMMV:A:. . ':;,,." .::AMMMIHIHHIHHII
|
||||
;::.:.:.. .. . .::VM:IHA:. .'' ' . ..:AMMMMHIHHHIHHII:
|
||||
;:::.:.. . .. . .::P::IHHAA.. . .. .:AMMMMMMMIIHHIHHI::
|
||||
;::.:.. . . . ..:.:VIHHHIHHA::,,,,,:AMMMMMMMMMHIIHHHHII;
|
||||
;.::.. . . . ..:.:VHHIHI:IHIHHIHI:MMMMMMMMMMHIHHIHHII:
|
||||
::.:.. . .. ...:.::VHI:IIVIHIHII:MMMMMMMMMMMIHHIHHII:,
|
||||
;:..:. . .. . ..:.::::VAII:IIIIII:MMMMMMMMMMMIHHIIHIIHI
|
||||
';:.. . . .. ..:...:.VII::III:.VMMMMMMMMMHIHHHIHI::I,
|
||||
;:. . . ' . .. ... . .::.::V::II:..VMMMMMMMMHIHHHIHI::I;
|
||||
;:.. . . . .. ..:.. .::...:VIITPL:VMMMMMMMVIHHHIH:. :;
|
||||
;:. . . . .. ... . ..:.:.. .:IIIA:.MMMMMVI:HIHIH:. .:
|
||||
I:. . . . .. . .. . . . . ..:.. ..::IIA.VMMMVIHIIHIV:. .'
|
||||
I:.. . . .. .... . . . .. ... .:.:IA:.VMVIMHIHIH:..:
|
||||
I.. . . . ..... . . . .. . .. .:IIAV:HIMHHIHII:.'
|
||||
~
|
||||
E
|
||||
february~
|
||||
. nHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHn.
|
||||
.MS?MMMMMMMMMMMMMMMMMM?MM-MMMMMMMMMSHMMMMMMM
|
||||
MMMMMH?MMMMMMMX*MM?MMX%MM/MMMMMM"HMMMMMMMMMMMM
|
||||
MMMMMMMMMMMMMMMMMX*MX*MMMX?MMMMM(M!XMMMMMMMMMMMM
|
||||
XMC)?MMMMMMMMMMMMMMMhX?!?MMMMX#MM!MXMMMMMMMMMMMML
|
||||
MMMMMMMMMMMMMMMMMMMMMMMM!-`````-`-!?MMMM)MMMMMMMMx
|
||||
MMM)MMMMMMMMMMMMMMMHhHH!- `#MM(MMMMMMMMMM>
|
||||
HM!HMMMMMMMMMMMMMMMM?)? "MMMMMMMMMX
|
||||
XM!MMMMMMMMMMMMMMMMMMM?- 'MMMMMMMM
|
||||
M!MMMMMMMMMMMMMMMMMXH! MMMMXMMP
|
||||
\!MMMMMMMSMHHHMM?XMM?- -:::xx.. M?XMM?"
|
||||
MXMMMMMMMMMM!XHMMMM": ... `"%x XHHHMMM
|
||||
\!MMMMMMMM?XMMMMMMX!'-L '%%%+:. ` ..MMMMM"
|
||||
'HMMMMMM?HMMMMM*XM! h -\).^\- .%""`MM?"
|
||||
'MMMMMMMMMMMMMXMMM! -X +%%!.MMMXk
|
||||
?MMMMMMMMMMMXMMMMM `. - `""'XMMMMX
|
||||
!MMMMMMMMMMMMMMMMMX. ' XMkMMX>
|
||||
XMMMMMMMMMMMMMMM?MXXXx.-` XXMMM!
|
||||
MMMMMMMMMMMMMMMMXMXXXXXXx. -- MMMMM
|
||||
XMMMMMMMMMMMM?MMXXXXXXXXX!` '+^ .MMM!P
|
||||
'MMM!MMMMMMMMMi?M!"` `-%HHHHxx. xMMMM"
|
||||
:MMMMMMMMMMMMMMM" `\XMM .MMMMM
|
||||
XMMMMMMMMMX?MM! `( HMMMMM
|
||||
XMMMM)MMM" \- 'MMMMM*
|
||||
'MMMMfMMM" \- XMMM*
|
||||
.MMMMMXMM" ^ `MMM
|
||||
XMMMM!MM" MM>
|
||||
HMMMMXM- MM>
|
||||
?MMMMM- Xf%
|
||||
MMMMf %% \
|
||||
4MMM %
|
||||
`M %
|
||||
% %
|
||||
% %
|
||||
% ! %
|
||||
% ! %
|
||||
~
|
||||
E
|
||||
january~
|
||||
. .:IIIIHIHHIHHHII::I:.
|
||||
:IIIIHIHHHHHHMMHHIHHIIHHIII:.
|
||||
@@ -1115,168 +1277,6 @@ IHHHHMHMMMMMMMHHHHHI:IT:TI:..:HI:.. ..:. . :IHII
|
||||
:: .:. . . . ..:IHHMMMHMIHIH:IIHHHMHH::..:HHHHI:HHHHHHI:I:IIIHII;
|
||||
:. ... . . . ..::HHHMMHMHHII:HIIHHMMHH:..:HHHMHHIHHHI:: . :IHII:I
|
||||
~
|
||||
E
|
||||
february~
|
||||
. nHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHn.
|
||||
.MS?MMMMMMMMMMMMMMMMMM?MM-MMMMMMMMMSHMMMMMMM
|
||||
MMMMMH?MMMMMMMX*MM?MMX%MM/MMMMMM"HMMMMMMMMMMMM
|
||||
MMMMMMMMMMMMMMMMMX*MX*MMMX?MMMMM(M!XMMMMMMMMMMMM
|
||||
XMC)?MMMMMMMMMMMMMMMhX?!?MMMMX#MM!MXMMMMMMMMMMMML
|
||||
MMMMMMMMMMMMMMMMMMMMMMMM!-`````-`-!?MMMM)MMMMMMMMx
|
||||
MMM)MMMMMMMMMMMMMMMHhHH!- `#MM(MMMMMMMMMM>
|
||||
HM!HMMMMMMMMMMMMMMMM?)? "MMMMMMMMMX
|
||||
XM!MMMMMMMMMMMMMMMMMMM?- 'MMMMMMMM
|
||||
M!MMMMMMMMMMMMMMMMMXH! MMMMXMMP
|
||||
\!MMMMMMMSMHHHMM?XMM?- -:::xx.. M?XMM?"
|
||||
MXMMMMMMMMMM!XHMMMM": ... `"%x XHHHMMM
|
||||
\!MMMMMMMM?XMMMMMMX!'-L '%%%+:. ` ..MMMMM"
|
||||
'HMMMMMM?HMMMMM*XM! h -\).^\- .%""`MM?"
|
||||
'MMMMMMMMMMMMMXMMM! -X +%%!.MMMXk
|
||||
?MMMMMMMMMMMXMMMMM `. - `""'XMMMMX
|
||||
!MMMMMMMMMMMMMMMMMX. ' XMkMMX>
|
||||
XMMMMMMMMMMMMMMM?MXXXx.-` XXMMM!
|
||||
MMMMMMMMMMMMMMMMXMXXXXXXx. -- MMMMM
|
||||
XMMMMMMMMMMMM?MMXXXXXXXXX!` '+^ .MMM!P
|
||||
'MMM!MMMMMMMMMi?M!"` `-%HHHHxx. xMMMM"
|
||||
:MMMMMMMMMMMMMMM" `\XMM .MMMMM
|
||||
XMMMMMMMMMX?MM! `( HMMMMM
|
||||
XMMMM)MMM" \- 'MMMMM*
|
||||
'MMMMfMMM" \- XMMM*
|
||||
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|
||||
XMMMM!MM" MM>
|
||||
HMMMMXM- MM>
|
||||
?MMMMM- Xf%
|
||||
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|
||||
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|
||||
`M %
|
||||
% %
|
||||
% %
|
||||
% ! %
|
||||
% ! %
|
||||
~
|
||||
E
|
||||
march~
|
||||
. ,.--..
|
||||
,::.'.. . . "VI:I:".':-.,.
|
||||
,I::. .. . 'VHMHII:.::;:.:,..
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
,:.:.. . . MMMMMMMMMH:IHHI:HHI:HIIH.
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
,::.:.:.. . . .H:. ' . . .. .":;AITP;I:IIH:I::;,
|
||||
,::.::.:. . . . A::. . ..:. . . ..:AI:IHII:I::;.
|
||||
;:.::.:.. . . AM:I:. ..:. .: . .::HIIIHIIHII::.
|
||||
,:::.:.:.. . .MM:I:.. .:, .:. .::HHIIIHIHII::'
|
||||
,::.:..:.. . . AMM:I:. . .'"-""''. ..::HIHI:HI:III:
|
||||
;:.::..:.. . . AMMM::. . ,,,, '.. '.::IMHIHIHIIHI::;
|
||||
,:::.:..:. . . MMMM:I:. ':::;;;::;' .::AMHIHIHHIHHI:"
|
||||
;::.:.:.. . . .:VMMV:A:. . ':;,,." .::AMMMIHIHHIHHII
|
||||
;::.:.:.. .. . .::VM:IHA:. .'' ' . ..:AMMMMHIHHHIHHII:
|
||||
;:::.:.. . .. . .::P::IHHAA.. . .. .:AMMMMMMMIIHHIHHI::
|
||||
;::.:.. . . . ..:.:VIHHHIHHA::,,,,,:AMMMMMMMMMHIIHHHHII;
|
||||
;.::.. . . . ..:.:VHHIHI:IHIHHIHI:MMMMMMMMMMHIHHIHHII:
|
||||
::.:.. . .. ...:.::VHI:IIVIHIHII:MMMMMMMMMMMIHHIHHII:,
|
||||
;:..:. . .. . ..:.::::VAII:IIIIII:MMMMMMMMMMMIHHIIHIIHI
|
||||
';:.. . . .. ..:...:.VII::III:.VMMMMMMMMMHIHHHIHI::I,
|
||||
;:. . . ' . .. ... . .::.::V::II:..VMMMMMMMMHIHHHIHI::I;
|
||||
;:.. . . . .. ..:.. .::...:VIITPL:VMMMMMMMVIHHHIH:. :;
|
||||
;:. . . . .. ... . ..:.:.. .:IIIA:.MMMMMVI:HIHIH:. .:
|
||||
I:. . . . .. . .. . . . . ..:.. ..::IIA.VMMMVIHIIHIV:. .'
|
||||
I:.. . . .. .... . . . .. ... .:.:IA:.VMVIMHIHIH:..:
|
||||
I.. . . . ..... . . . .. . .. .:IIAV:HIMHHIHII:.'
|
||||
~
|
||||
E
|
||||
april~
|
||||
. :AMMMMMMMMMMMMA:
|
||||
:AMMMMMMMMMHHHHHMMMMMMMMA:
|
||||
:AMHMMMMHHMHIHHIMMMHMMMMHHA:
|
||||
:AM'MMMMMMHHIHHHIMMMMMIMMHHHH:
|
||||
AM:IMMMMMHHIHIHHHIMMHHHHHHHHHH
|
||||
AMIIHMMMMMHIHHHIHHIHHHHHHHHHHHH:
|
||||
MMIHHMMMMMHHIHHHIHHHHHHHHHHHHHHH
|
||||
AMMMMMHHHHHHI;;;;;;;IHHHI;;IHHHHH
|
||||
MMMMHIIII;":AMMMMA ,[[, HH
|
||||
MMMMHII; AW"'''' :: HH
|
||||
IHHIHIII;:'' ,GFMF[ [MM[: IH
|
||||
AHHIHII;::': ";[P,[ ;; :::: IH
|
||||
IHHHIHII;;:: :[;: ;H
|
||||
AHHHHHII;;;:: : : [ : ;H
|
||||
IHHIIHI:[;;;:: ; ; ; , , IH
|
||||
IHHIIHH:[;;;: ; ;: ':"::" '; IH
|
||||
IHHIIHI:[;;: ::: ; ,,,, ' HH
|
||||
:IHHHIHHMMA;::: [;;""""""[; AMI
|
||||
;IHHHHIIHMM;: : : ;;[,,,,[; HHI
|
||||
IIHHMMHHIHHM;:: '"""' AMHI
|
||||
IIHHMMHMHHIIIM;:: AMMHI
|
||||
IHHHMMHMHMHHHIHI;:: :AMMMHI
|
||||
IHHHMMMMHMMHHHII;;;;:: :,;; MMMHHI
|
||||
IHHHMMHHHHMMHHHI;:";;;;;;" MMMIH'
|
||||
;IHHMMHMMMMHF"HHII MMMHH
|
||||
IHHMMHV;;:: HHII;: : MMHHI
|
||||
IHHMV;;::: HHII;: : : MMHI;
|
||||
IHMV;;:: : "HII;: :: MMI;
|
||||
:IHV;:: : 'HI: :: MM;
|
||||
IV;:: : : "II;: ;
|
||||
IH;;::: : ;;;I: ;
|
||||
;M;;:::: : ';;;HI: '
|
||||
MH;;:::: : ';;HI: ;
|
||||
IM;;;::: : :[; ';I"I: ;
|
||||
M;;;::: : : [;;,: ' : '
|
||||
;;:::: : ::'' : ':
|
||||
;;::: : : ': :
|
||||
:;;:: : :: ':'
|
||||
~
|
||||
E
|
||||
may~
|
||||
. 8888 8888888
|
||||
888888888888888888888888
|
||||
8888:::8888888888888888888888888
|
||||
8888::::::8888888888888888888888888888
|
||||
88::::::::888:::8888888888888888888888888
|
||||
88888888::::8:::::::::::88888888888888888888
|
||||
888 8::888888::::::::::::::::::88888888888 888
|
||||
88::::88888888::::m::::::::::88888888888 8
|
||||
888888888888888888:M:::::::::::8888888888888
|
||||
88888888888888888888::::::::::::M88888888888888
|
||||
8888888888888888888888:::::::::M8888888888888888
|
||||
8888888888888888888888:::::::M888888888888888888
|
||||
8888888888888888::88888::::::M88888888888888888888
|
||||
88888888888888888:::88888:::::M888888888888888 8888
|
||||
88888888888888888:::88888::::M::;o*M*o;888888888 88
|
||||
88888888888888888:::8888:::::M:::::::::::88888888 8
|
||||
88888888888888888::::88::::::M:;:::::::::::888888888
|
||||
8888888888888888888:::8::::::M::aAa::::::::M8888888888 8
|
||||
88 8888888888::88::::8::::M:::::::::::::888888888888888 8888
|
||||
88 88888888888:::8:::::::::M::::::::::;::88:88888888888888888
|
||||
8 8888888888888:::::::::::M::"@@@@@@@"::::8w8888888888888888
|
||||
88888888888:888::::::::::M:::::"@a@":::::M8i888888888888888
|
||||
8888888888::::88:::::::::M88:::::::::::::M88z88888888888888888
|
||||
8888888888:::::8:::::::::M88888:::::::::MM888!888888888888888888
|
||||
888888888:::::8:::::::::M8888888MAmmmAMVMM888*88888888 88888888
|
||||
888888 M:::::::::::::::M888888888:::::::MM88888888888888 8888888
|
||||
8888 M::::::::::::::M88888888888::::::MM888888888888888 88888
|
||||
888 M:::::::::::::M8888888888888M:::::mM888888888888888 8888
|
||||
888 M::::::::::::M8888:888888888888::::m::Mm88888 888888 8888
|
||||
88 M::::::::::::8888:88888888888888888::::::Mm8 88888 888
|
||||
88 M::::::::::8888M::88888::888888888888:::::::Mm88888 88
|
||||
8 MM::::::::8888M:::8888:::::888888888888::::::::Mm8 4
|
||||
8M:::::::8888M:::::888:::::::88:::8888888::::::::Mm 2
|
||||
88MM:::::8888M:::::::88::::::::8:::::888888:::M:::::M
|
||||
~
|
||||
#186
|
||||
scroll poem irish~
|
||||
an irish poem~
|
||||
|
||||
@@ -155,13 +155,13 @@ A small sword lies here.~
|
||||
0 1 6 11
|
||||
3 60 10 0 0
|
||||
E
|
||||
inscription~
|
||||
It says: 'May this sword be a good companion. '
|
||||
~
|
||||
E
|
||||
sword small~
|
||||
The small sword seems to have an inscription of some sort.
|
||||
~
|
||||
E
|
||||
inscription~
|
||||
It says: 'May this sword be a good companion. '
|
||||
~
|
||||
#3022
|
||||
sword long~
|
||||
a long sword~
|
||||
@@ -637,13 +637,13 @@ A large, sociable bulletin board is mounted on a wall here.~
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
social bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
E
|
||||
board~
|
||||
If you can read this, the board is not working.
|
||||
~
|
||||
E
|
||||
social bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
#3097
|
||||
boards frozen bulletin gen_boards~
|
||||
a frozen bulletin board~
|
||||
@@ -653,13 +653,13 @@ A large bulletin board is here, carved from a block of ice.~
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
freeze bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
E
|
||||
board~
|
||||
If you can read this, the board is not working.
|
||||
~
|
||||
E
|
||||
freeze bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
#3098
|
||||
boards holy bulletin gen_boards~
|
||||
a holy bulletin board~
|
||||
@@ -669,13 +669,13 @@ A large bulletin board is mounted on a wall here. It glows with a faint aura.~
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
holy bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
E
|
||||
board~
|
||||
If you can read this, the board is not working.
|
||||
~
|
||||
E
|
||||
holy bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
#3099
|
||||
boards bulletin gen_boards~
|
||||
a bulletin board~
|
||||
@@ -685,11 +685,11 @@ A large bulletin board is mounted on a wall here.~
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
E
|
||||
board~
|
||||
If you can read this, the board is not working.
|
||||
~
|
||||
E
|
||||
bulletin~
|
||||
Use 'look board' to read the board.
|
||||
~
|
||||
$~
|
||||
|
||||
@@ -82,6 +82,7 @@
|
||||
187.obj
|
||||
200.obj
|
||||
201.obj
|
||||
211.obj
|
||||
220.obj
|
||||
232.obj
|
||||
233.obj
|
||||
|
||||
@@ -1,5 +1,6 @@
|
||||
0.qst
|
||||
1.qst
|
||||
211.qst
|
||||
555.qst
|
||||
556.qst
|
||||
$
|
||||
|
||||
@@ -64,6 +64,7 @@
|
||||
187.shp
|
||||
200.shp
|
||||
201.shp
|
||||
211.shp
|
||||
220.shp
|
||||
232.shp
|
||||
233.shp
|
||||
|
||||
@@ -114,7 +114,8 @@ shake~
|
||||
* mostly positive, three are mostly negative, and five are abstentions.
|
||||
*
|
||||
* Check arguments if they match. /= checks abbreviations.
|
||||
if ball /= %arg% || eightball /= %arg%
|
||||
set argcheck 'ball 'eightball
|
||||
if %argcheck.contains('%arg%)%
|
||||
* Echo text to everyone else in the room and the actor.
|
||||
%echoaround% %actor% %actor.name% shakes %self.shortdesc% vigorously.
|
||||
%send% %actor% You shake %self.shortdesc% vigorously.
|
||||
@@ -296,7 +297,8 @@ wait 1 sec
|
||||
Restorative Comfy Bed 1401 - Sleep~
|
||||
1 c 4
|
||||
sl~
|
||||
if %mud.mudcommand% == sleep && %arg% == bed
|
||||
set argcheck 'bed
|
||||
if %cmd.mudcommand% == sleep && %argcheck.contains('%arg%)%
|
||||
%force% %actor% sleep
|
||||
set laying_in_comfy_bed_14 1
|
||||
remote laying_in_comfy_bed_14 %actor.id%
|
||||
@@ -1604,7 +1606,8 @@ Room Command Example~
|
||||
2 c 100
|
||||
l~
|
||||
* By Rumble of The Builder Academy tbamud.com 9091
|
||||
if %cmd.mudcommand% == look && bridge /= %arg%
|
||||
set bridge 'bridge
|
||||
if %cmd.mudcommand% == look && %bridge.contains('%arg%)%
|
||||
%send% %actor% As you look at the bridge a small form staggers out from underneath it.
|
||||
%echoaround% %actor% As %actor.name% peers under the bridge a small form emerges.
|
||||
%load% mob 207
|
||||
@@ -1754,15 +1757,15 @@ Mob Random Example~
|
||||
0 b 2
|
||||
~
|
||||
* By Rumble of The Builder Academy tbamud.com 9091
|
||||
* don't let him cast while incapacitated.
|
||||
* With random triggers ACTOR is NOT defined. So set it.
|
||||
set actor %random.char%
|
||||
wait 1 sec
|
||||
say Hey! You don't belong here!
|
||||
emote mumbles, 'Now what was that spell...'
|
||||
wait 1 sec
|
||||
* Senile old guard casts random spells on intruders.
|
||||
* Don't cast if incapacitated
|
||||
if %self.hitp% > 0
|
||||
* With random triggers ACTOR is NOT defined. So set it.
|
||||
set actor %random.char%
|
||||
wait 1 sec
|
||||
say Hey! You don't belong here!
|
||||
emote mumbles, 'Now what was that spell...'
|
||||
wait 1 sec
|
||||
* Senile old guard casts random spells on intruders.
|
||||
switch %random.17%
|
||||
case 1
|
||||
dg_cast 'cure light' %actor%
|
||||
@@ -1830,11 +1833,13 @@ Mob Command Example~
|
||||
0 c 100
|
||||
l~
|
||||
* By Rumble of The Builder Academy tbamud.com 9091
|
||||
* Make sure the command is look, check for any abbrev of window
|
||||
if %cmd.mudcommand% == look && %arg% /= orb
|
||||
* does not work for level 32 and above.
|
||||
* Make sure the command is look, check for any abbrev of orb
|
||||
if %cmd.mudcommand% == look && orb /= %arg%
|
||||
%send% %actor% As you look at the orb a feeling of peace and serenity comes over you.
|
||||
%echoround% %actor% %actor.name% stares at the orb.
|
||||
else
|
||||
* If it doesn't match let the command continue.
|
||||
return 0
|
||||
end
|
||||
~
|
||||
@@ -2801,12 +2806,12 @@ end
|
||||
Obj Command 82 - Teleporter~
|
||||
1 c 3
|
||||
teleport~
|
||||
* By Rumble w/help from Jamie Nelson on http://groups.yahoo.com/group/dg_scripts/
|
||||
* By Rumble and Jamie Nelson of The Builder Academy tbamud.com 9091
|
||||
%send% %actor% You attempt to manipulate space and time.
|
||||
%echoaround% %actor% %actor.name% attempts to manipulate space and time.
|
||||
wait 1 sec
|
||||
set sanctus 100
|
||||
set jade 499
|
||||
set jade 400
|
||||
set newbie 500
|
||||
set sea 600
|
||||
set camelot 775
|
||||
@@ -2933,6 +2938,7 @@ set revelry 32500
|
||||
set perimeter 32600
|
||||
set asylum 34501
|
||||
set ultima 55685
|
||||
set tarot 21101
|
||||
if !%arg%
|
||||
*they didnt type a location
|
||||
set fail 1
|
||||
|
||||
@@ -253,12 +253,12 @@ eval inroom %self.room%
|
||||
Teleporter~
|
||||
1 c 3
|
||||
teleport~
|
||||
* By Rumble w/help from Jamie Nelson on http://groups.yahoo.com/group/dg_scripts/
|
||||
* By Rumble and Jamie Nelson of The Builder Academy tbamud.com 9091
|
||||
%send% %actor% You attempt to manipulate space and time.
|
||||
%echoaround% %actor% %actor.name% attempts to manipulate space and time.
|
||||
wait 1 sec
|
||||
set sanctus 100
|
||||
set jade 499
|
||||
set jade 400
|
||||
set newbie 500
|
||||
set sea 600
|
||||
set camelot 775
|
||||
@@ -383,6 +383,9 @@ set pale 32300
|
||||
set army 32400
|
||||
set revelry 32500
|
||||
set perimeter 32600
|
||||
set asylum 34501
|
||||
set ultima 55685
|
||||
set tarot 21101
|
||||
if !%arg%
|
||||
*they didnt type a location
|
||||
set fail 1
|
||||
|
||||
@@ -83,6 +83,7 @@
|
||||
187.trg
|
||||
200.trg
|
||||
201.trg
|
||||
211.trg
|
||||
220.trg
|
||||
232.trg
|
||||
233.trg
|
||||
@@ -181,5 +182,4 @@
|
||||
345.trg
|
||||
555.trg
|
||||
556.trg
|
||||
|
||||
$
|
||||
|
||||
@@ -35,7 +35,7 @@ mobs, shops, and triggers with which players will interact.
|
||||
right place. Be warned, building is not easy and will require hard work,
|
||||
patience, and the ability to take constructive criticism.
|
||||
Your first task is to apply for builder status at:
|
||||
http://tbamud.com/
|
||||
@Cwww.tbamud.com@n
|
||||
When you finish and submit the application tell anyone level 32 or higher
|
||||
and they will advance you to begin your training.
|
||||
|
||||
@@ -547,60 +547,30 @@ D2
|
||||
S
|
||||
#33
|
||||
Rumble's Room~
|
||||
@(HELP CLASS@) = A basic MXP link for HELP CLASS
|
||||
@[U9814/Rook] = Creates a rook icon, or display the word Rook
|
||||
@<SOUND FName="ouch.wav" V=50 L=2 P=80 T="combat" U="www.yourMUD.com/sounds/">
|
||||
@<send "command1|command2|command3" hint="click to see menu|Item 1|Item 2|Item 2">this is a menu link@</SEND>
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
@(HELP QUOTE@)
|
||||
~
|
||||
0 8 0 0 0 0
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
John Stuart Mill
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
~
|
||||
E
|
||||
old glory flag~
|
||||
@@ -633,22 +603,53 @@ or daughter-I am proud. My name is Old Glory-long may I wave. Dear God, long
|
||||
may I wave.
|
||||
~
|
||||
E
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
John Stuart Mill
|
||||
~
|
||||
E
|
||||
undefined~
|
||||
test
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
S
|
||||
#34
|
||||
@@ -675,6 +676,20 @@ appears to be a faint scent of jasmine.
|
||||
~
|
||||
0 24 0 0 0 0
|
||||
S
|
||||
#44
|
||||
Rhade's Room~
|
||||
You are in an unfinished room.
|
||||
~
|
||||
0 8 0 0 0 0
|
||||
D4
|
||||
~
|
||||
~
|
||||
0 0 1204
|
||||
D5
|
||||
~
|
||||
~
|
||||
0 0 33
|
||||
S
|
||||
#71
|
||||
The Vault Of The Programancer~
|
||||
The walls, furniture and other decor that animate Vatiken's vault are
|
||||
@@ -716,9 +731,9 @@ trapdoor~
|
||||
S
|
||||
#90
|
||||
Epictetus' Prison Cell~
|
||||
This shower stall remodeled into a prison cell is not yet completed. While
|
||||
This shower stall remodeled into a prison cell is not yet completed. While
|
||||
the shower head has been removed and cemented a drain still exists in the floor.
|
||||
Unintelligle voices can be heard whispering through the piping in the drain
|
||||
Unintelligible voices can be heard whispering through the piping in the drain
|
||||
below.
|
||||
~
|
||||
0 8 0 0 0 0
|
||||
@@ -856,14 +871,14 @@ D2
|
||||
~
|
||||
0 0 98
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
E
|
||||
floor~
|
||||
The stone floor is the same shade of grey as the sky and is completely plain
|
||||
and unscratched. It is probably too hard for anything to leave as much as a
|
||||
scratch on it.
|
||||
~
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
S
|
||||
$~
|
||||
|
||||
@@ -92,19 +92,19 @@ D5
|
||||
~
|
||||
0 0 100
|
||||
E
|
||||
altar~
|
||||
The altar is made from black granite and has been carved into a small basin
|
||||
with a high back. Almost as if it was meant to be some sort of seat.
|
||||
Inscriptions in some foreign tongue are written on every square inch of the
|
||||
altar. You wonder what they must say and who could have written it.
|
||||
~
|
||||
E
|
||||
statue~
|
||||
As you examine the statues more closely you realize they must resemble the
|
||||
two gods responsible for the creation and ongoing protection of Sanctus, Ferret
|
||||
and Rumble. They both radiate a strength and power that resembles the solid
|
||||
white marble they were crafted from.
|
||||
~
|
||||
E
|
||||
altar~
|
||||
The altar is made from black granite and has been carved into a small basin
|
||||
with a high back. Almost as if it was meant to be some sort of seat.
|
||||
Inscriptions in some foreign tongue are written on every square inch of the
|
||||
altar. You wonder what they must say and who could have written it.
|
||||
~
|
||||
S
|
||||
T 158
|
||||
T 163
|
||||
@@ -170,7 +170,7 @@ Rean's Zone Description Room~
|
||||
Mages Quarter of Sanctus. They are responsible for the upkeep of the magical
|
||||
barrier that protects the city from the chaos of the outside world. They may
|
||||
also be called upon to protect the city in case of an attack. The Magi are the
|
||||
most reverred of all the classes as they are the most powerful. But that power
|
||||
most revered of all the classes as they are the most powerful. But that power
|
||||
has a price. Only five Magi have survived. Five decorative cushions are
|
||||
placed in a circle in the middle of the room.
|
||||
~
|
||||
@@ -240,17 +240,17 @@ D5
|
||||
~
|
||||
0 0 142
|
||||
E
|
||||
table~
|
||||
The table is made out of cherry. It is worn from years of use. The glass
|
||||
top allows for an excellent view of the map protected within.
|
||||
~
|
||||
E
|
||||
map~
|
||||
The map is a geographic representation of Sanctus. Not even really a map,
|
||||
more of a scaled model. The walls and buildings of the city are raised higher
|
||||
than the rest of the map to give it a third dimension. Small soldiers are
|
||||
scattered around the top of the table to help the War Master place his men.
|
||||
~
|
||||
E
|
||||
table~
|
||||
The table is made out of cherry. It is worn from years of use. The glass
|
||||
top allows for an excellent view of the map protected within.
|
||||
~
|
||||
S
|
||||
#109
|
||||
Thieves Retreat~
|
||||
@@ -383,18 +383,18 @@ D1
|
||||
~
|
||||
0 0 100
|
||||
E
|
||||
hole~
|
||||
You can look out over the inner wall to the western side of Sanctus. The
|
||||
smell of charred human remains and smoldering plaster makes your eyes water so
|
||||
it is difficult to see much else through the tiny hole.
|
||||
~
|
||||
E
|
||||
man silhouette~
|
||||
The distinct outline of a human body that must have taken the brunt of the
|
||||
blast when the portal imploded. You wonder what or who it might have been.
|
||||
You can still see pieces of cloth and bone buried deeply into the wall inside
|
||||
the shadow of the unlucky man.
|
||||
~
|
||||
E
|
||||
hole~
|
||||
You can look out over the inner wall to the western side of Sanctus. The
|
||||
smell of charred human remains and smoldering plaster makes your eyes water so
|
||||
it is difficult to see much else through the tiny hole.
|
||||
~
|
||||
S
|
||||
#117
|
||||
Travelling Room~
|
||||
@@ -530,19 +530,19 @@ D2
|
||||
~
|
||||
0 0 129
|
||||
E
|
||||
shrine~
|
||||
A beutiful shrine. It has two white marble figures facing each other with a
|
||||
painting of the city below them. The two figures seem to be looking down at
|
||||
the city with looks of worry and hopelessness. An unlit candle and mirror lay
|
||||
on the floor beside the small shrine.
|
||||
~
|
||||
E
|
||||
table desk chair~
|
||||
The table, desk, and chair are made from solid oak of the highest quality.
|
||||
A thin goose down mattress and pillow are the only comfortable looking items in
|
||||
the room. The desk is bare and all the drawers are empty. It is as if no one
|
||||
even lives here.
|
||||
~
|
||||
E
|
||||
shrine~
|
||||
A beutiful shrine. It has two white marble figures facing each other with a
|
||||
painting of the city below them. The two figures seem to be looking down at
|
||||
the city with looks of worry and hopelessness. An unlit candle and mirror lay
|
||||
on the floor beside the small shrine.
|
||||
~
|
||||
S
|
||||
#125
|
||||
Plane of the Magi~
|
||||
@@ -816,10 +816,14 @@ D0
|
||||
~
|
||||
0 0 128
|
||||
E
|
||||
bed~
|
||||
The bed is made of a sturdy pine. A thin mattress covered in a white sheet
|
||||
with a down pillow overlaying it. The mattress is too thin to hold anything of
|
||||
value.
|
||||
window~
|
||||
Overlooking the western gate you can see the shimmering protective dome.
|
||||
You hope it lasts, peace and tranquility is a good thing.
|
||||
~
|
||||
E
|
||||
chair~
|
||||
It's just your standard wooden chair. Uncomfortable and only real
|
||||
usefulness would be as firewood.
|
||||
~
|
||||
E
|
||||
desk~
|
||||
@@ -829,14 +833,10 @@ centered on the top of the desk. The desk has three drawers. All of them are
|
||||
empty.
|
||||
~
|
||||
E
|
||||
chair~
|
||||
It's just your standard wooden chair. Uncomfortable and only real
|
||||
usefulness would be as firewood.
|
||||
~
|
||||
E
|
||||
window~
|
||||
Overlooking the western gate you can see the shimmering protective dome.
|
||||
You hope it lasts, peace and tranquility is a good thing.
|
||||
bed~
|
||||
The bed is made of a sturdy pine. A thin mattress covered in a white sheet
|
||||
with a down pillow overlaying it. The mattress is too thin to hold anything of
|
||||
value.
|
||||
~
|
||||
S
|
||||
#136
|
||||
|
||||
@@ -84,6 +84,7 @@
|
||||
187.wld
|
||||
200.wld
|
||||
201.wld
|
||||
211.wld
|
||||
220.wld
|
||||
232.wld
|
||||
233.wld
|
||||
|
||||
@@ -84,6 +84,7 @@
|
||||
187.zon
|
||||
200.zon
|
||||
201.zon
|
||||
211.zon
|
||||
220.zon
|
||||
232.zon
|
||||
233.zon
|
||||
|
||||
Reference in New Issue
Block a user